The “Undressed” singer and Best Newcomer nominee upholds his long musical tradition as a handsome man while mastering the little mirror ball action. What we love about this suit, besides the sparkle, is the touch of red throughout the sequins. You can’t go wrong with Valentino’s silver lace shirt, but let’s be honest, he was made for this look. I love that keyhole. My love for shoes fades.

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Nominated for Best Pop Solo for “The Subway,” she chose to keep things simple this time without sacrificing her signature quirkiness or attention-grabbing ability. This is Chappell’s minimalism. I wasn’t crazy about this at first glance because the design seemed basic and the dress matched her hair, but the longer I looked at it, the more I liked how dramatic it was. It works best when worn with a cape, but I think it should have a few more inches at the hem.

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He’s about to electrify half of America during the Super Bowl halftime show and will be the first man to wear Schiaparelli Couture. I have no choice but to faint. It might seem surprising to see the “DtMF” singer and multiple Grammy Award winner wearing a relatively run-of-the-mill velvet tuxedo, but we gasped out loud when we saw her corseted back. Come on, it’s hot.

We’ve always loved the quiet rebellion of Billie Eilish’s public style, the way she defies convention and upends expectations for young female pop stars. But the “Wildflower” singer and Song of the Year winner seems overwhelmed by everything going on with this look. I get that this is mostly a deconstruction of menswear style tropes, but there are too many sleeves and belts in one look.

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The “Man I Need” singer and Best New Artist winner should have been an easy winner as she went for classic elegance in her Chanel dress, but the design disappointed her. The skirt is too low and the feather decorations are not well placed at the waist. The bodice looks like a bodysuit, but it won’t work well with a ballgown style skirt. Basically, the top and bottom of this design don’t interact with each other.

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The “Illegal” singer and Best Dance-Pop Recording nominee explored deconstructed elegance. The design is a little over-made and may need some editing, but the colors look gorgeous on her and the styling really elevates it.

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The “Emerald City” singer, nominated for Best Contemporary Country Album, observed the old standbys of award show fashion. It’s never a bad idea to dress like a trophy yourself. This richly embellished gold dress looks very beautiful on her. The fit is smooth so she won’t look overwhelmed or heavy. Smooth hair was a good choice as well. I love the paisley design, it’s incredibly flattering yet gives it a vaguely bohemian vibe.

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The ladies came to provide a little black swan mayhem on the red carpet. We all know there’s going to be some drama when Lady Gaga is on the guest list, but we’re kind of pleasantly surprised at how low-key this one is — for Lady Gaga, of course. This would be outrageous to most other people. She looks gorgeous and delivers some of the most classic diva fashion moments we’ve ever seen.

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The lavender eyeshadow that goes with the lavender dress makes her look like a little fashion doll, which is a shame. The Best Traditional Pop Vocal Album winner opted for a pastel glow, and we just can’t get enough of the design. The neckline is too wide and the bust doesn’t fit her perfectly. The placement of the decorations is oddly distracting. There are so many things in this dress that it feels like they are placed haphazardly.

Bad news for the “Anxiety” singer and Record of the Year nominee. It could be your custom Roberto Cavalli, but I’m afraid it kind of sucks. The colors are flashy. There is too much purple satin for one person to handle. I don’t mind that the bust is showing, but the sheerness of it looks very wrong with the rest of the dress. The name of the game often seems to be outrageous, but this is ugly dress.

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It looks like something you’d see hanging in your shower stall. Sure, we tend to loathe the feathery gowns that keep popping up, but this one is just too much. It’s a mountain. It’s… Muppet-ish. I might like it if it had a little shape or contrast, but it’s big and shapeless.

We keep coming back to this piece for its quiet elegance, something not often seen on the Grammys red carpet. I love the combination of sparkle and glitter and the dramatic corset silhouette. Perhaps a little too embellished for our tastes, but her poise and style are perfect, so it doesn’t matter.

We don’t know which is weirder, the insane amount of stuff and flair she wears all over her jacket, or the ’90s office manager pants and slingback she wears underneath. It looks very strange. Best Pop Vocal Album nominees have always had a nostalgic, quirky style, but this honestly looks like an outfit fit for a 70-year-old.

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of Battles continue one after another The star and currently nominated for Best Supporting Actress arrived late to the red carpet, but that’s no surprise since she was clearly there to get it done. No one works harder for the Oscars than this woman, and no one puts their bodies on the red carpet as wonderfully and fiercely as she does. This is fashion on the highest possible difficulty setting and she makes it look easy.

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The “Daisies” singer and multiple nominee showed up wearing a pared-back, grown-up minimalism that looked great on him. The loose fit is perfect for him, but we would have preferred a less slinky shoe. Hailey, on the other hand, makes her minimalism look like a million bucks. The coordinated jewelry is casual and wonderful. They look confident, relaxed, and sophisticated.

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